NLE The Great—formerly known as NLE Choppa—is stepping into a new era, and “Hello Revenge” might be the clearest declaration of that rebirth yet. The name shift feels intentional. The music feels intentional. And the visuals? They operate at a level that suggests NLE is crafting a mythology around himself—equal parts spiritual, cinematic, and performance-driven.
Scripture and Symbolism Shape the Opening of “Hello Revenge”
The video opens not with a flex, but with a scripture: Genesis 1:1, displayed starkly in black and white. Before you even see NLE, you see birds—a classic symbol of spirit, ascension, and divine messaging. It is a quiet nod that this chapter begins above the noise. The first glimpses of NLE are chopped in rhythm with the beat, offering flashes of symbolic imagery: a single red drop falling from a leaf while the rest of the world remains monochrome, a deliberate break in tone that feels like a warning flare.
IEMBE Styling and Spiritual Imagery Elevate NLE The Great’s Visual Storytelling
Then the camera lands on the word “Revelation” embroidered across his IEMBE varsity jacket—its first attempt to steal the frame, but not its last. NLE uses wardrobe the same way some artists use metaphors: as layered meaning. The direction leans heavily into that. The credits list the video as directed by The Most High, with co-direction and choreography by Bryson Potts (NLE’s birth name) and legendary choreographer Travis Payne, reinforcing that the spiritual and the artistic are fused here by design.
Biblical References Guide the Narrative Direction of “Hello Revenge”
As the scenes unfurl, more scriptures punctuate the screen—Matthew 6:34, Psalm 105:15, Psalm 18:2, and Philippians 4:13—appearing like chapter markers in a film more interested in faith and purpose than traditional rap iconography. Before NLE even delivers a verse, he has already taken the viewer through a catalog of spiritual affirmations. He wanders through a barren land mass mirrored by a lion roaming the same terrain, a symbol of both fearlessness and divine assignment. Additional verses—Romans 8:28, Exodus 14:14, and Revelation 21:11—reinforce that NLE is not just making music; he is constructing scripture-coded cinema.
Choreography and Movement Power NLE The Great’s Performance
What truly elevates “Hello Revenge” is not the lyrics alone but the movement. NLE lets choreography carry the emotional weight of the song. His gestures snap like punctuation marks, and the camera studies them closely. He dances more than he lip-syncs—an intentional shift that lets his body narrate the transformation. When the storms arrive and he appears shirtless, his thin frame almost emphasizes vulnerability, yet the choreography and conviction give him presence larger than the landscape itself.
Backup dancers eventually join, grounding the performance section in communal energy, but the video never loses its sense of solitary spiritual battle. Every shot feels like it is reaching for meaning: the storms, the symbols, the animals, the scriptures, the jacket with Revelation 21:11 stitched onto the arm. It is all part of the sermon.
A Cinematic Closing Reinforces NLE The Great’s Spiritual Evolution
The film closes with Revelation 22:21, a final spiritual seal as birds circle the fading frame—a callback to the opening shot, completing the thematic loop.
“Hello Revenge” is ambitious, expressive, and strikingly intentional. NLE The Great is not experimenting here—he is declaring artistic direction. Each music video in this new chapter appears more polished and more spiritually driven than the last, and this one stands as his boldest expression yet.