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Album Review: Drake x 21 Savage-Her Loss

Drake and 21 Savage dropped, Her Loss a week ago and it is still the hottest thing out!  The October babies planned the album to drop around their birthdays, but 40 caught COVID, which delayed things.  But the delay didn’t affect much as the duo was predicted to sell over 400K in the first week!  This is really a great album.  Let’s run through the work of art!

Her Loss

Drake and 21 Savage set the tempo off for the album with the first song, “Rich Flex”.  I already knew it was going to be something for the club as before the song plays there is a skit.  Drake starts the song off nailing the chorus, while Savage takes the first verse.  The Atlanta rapper raps about his opps (of course) mixed with bars about dissing and stunting on his exes.  His verse cuts out and Drake starts to serenade the beat before it switches up for his verse.

The OVO boss shouts out a few people in this song such as his loyalty to Young Money Cash Money Records and his old ties to CMG.  In his previous songs, Drake has always mentioned his ties to Memphis as well as Yo Gotti.  Fellow Canada artist, PartyNextDoor gets a shoutout as well.  Hopefully, they have new music coming.

As “Major Distribution” starts, you would think it would be one of Drake’s R&B ballads.  But, after he sings for all of 36 seconds, the beat switches again and Drake starts to rap.  Just like “Rich Flex”, this will be played in clubs from Toronto to Atlanta.  They keep the tempo going with “On BS” as 21 Savage starts the song off first before the two trade lines.  They both show off their rapping ability and sound great together over the hard track.  Who knows what else Drake and 21 Savage can do together.

Drake goes solo on “BackOutSideBoyz”.  Here, the 6 God mentions Shelley fka Dram.  Dram’s biggest song, “Cha Cha”, came out in 2015 and Drake made “Hotline Bling” in the same year.  Dram felt Drake jacked “Hotline Bling” and approached him about it years ago.  Drake is letting people know things didn’t go well for Dram in that situation.  Later in the song, he raps:

“She a 10, tryna rap/

it’s good on mute”

Many felt he was talking about Ice Spice since he flew her out a few months ago, but shortly unfollowed her on Instagram after that.  Ice Spice even addressed the line on her Twitter page.

Both 21 and Drake floated on “Privileged Rappers”.  They make it look easy over the easy listening beat, causing it to be one of my favorites off the album. I just have one question: who are these privileged rappers that they are speaking of?  They transition on “Spin Bout U”, making a song for the ladies.  With a 90s sample in the background, the Slaughtergang CEO lets his woman know what he would do for her.  Drake comes in after 21 doing what he does: making a catchy chorus so it’s impossible not to sing along to.  The Toronto rapper shares his take on a big issue in the United States today.  He starts to rap:

”Damn, just turned on the news and seen that man who never got p**** in school/

are making laws about what women can do”

This is aimed at the men who overturned the long-standing Roe v. Wade Act, which allows women to have abortions legally.  Drake follows Savage’s lead and assures his woman what he would do for her since she is worth it.  In another ballad for the women, Drake dominates the song and starts off first in “Hours In Silence”.  He influences 21 in this as he actually has him sing a few lines!  Drake’s second verse reminds me of the Drake we are familiar with: pouring his heart out over a woman in a somber tone over a slow, dark beat.  It seems like Drake still hasn’t changed in the women he likes and the way he treats them.

You can take “Treacherous Twins” in a couple of ways.  Twin could mean friend or lover in this case.  In both of their verses, it seems like they are talking about both their friends and women.  Drake references “dawg”, but also mentions that he’ll lay something down for you.  Similar to what he said in “Spin Bout U”, I assume he is talking about a woman again here as well.  Another catchy chorus, Drake gives us a few Instagram captions by the way.  What they do on “Circo Loco” is pretty cool.  A play on a pop classic, Drake and Savage turn it into a club hit.  In the first few bars, he does a play on the Megan thee Stallion shooting rapping:

”This b**** lied about getting shots, but she still a Stallion”

Lil Yachty went on to clear that up on Instagram stating that Drake wasn’t talking about Megan thee Stallion.  He was talking about women who lie about getting their body done.  Unfortunately, social media already made their minds up and shamed Drake.  A few lines later, he brings up Ye again.  He raps:

“linking with the opps, man I did that shit for J. Prince/

yeah I did it for the Mob Ties”

Drake may be responding to Kendrick Lamar here.  On Kendrick Lamar’s album, Mr. Morale and The Big Steppers, he said he was surprised Drake and Ye made up.  Drake just assured us they are not cool.

Like we already didn’t know, but Drake and Savage let us know what is on their minds, “Pussy & Millions”.  They tapped in Travis Scott, in a beat that seems to be perfect for the Houston rapper.  But his mind is actually on billions (& p**** as well).  Drake lays a great chorus, making it sound effortless per usual.  The duo comes back to the theme of the album and deliver another slapper!  On “Broke Boys”, they boast about their pockets in the almost four-minute-long song.

Drake gives us the best Drake (in my opinion) on “Middle of the Ocean” as he just talks to us for almost six minutes. He slows down the tempo to talk his shit.  21 Savage said he encouraged Drake to really say what is on his mind all throughout the album, no filter.  Drake picked the right beats to do it on as he switches to the classic AZ and Nas beat, “Mo Money, Mo Murder, Mo Homicide”.  The OVO boss must’ve took what his friend said to heart.  He decided to speak on Serena Williams’ husband, Alex Ohanian’s, calling him a groupie.  The boy was on one!  My favorite part of this song is at the end.  He has Birdman talking to lead the song out.  Him and Stunna still locked in after all these years is amazing!

21 Savage watches from the sideline again as Drake takes over on “Jumbotron Shit Poppin”.  Drake is just popping off on this quick track.  He’s not talk big shit anymore, he’s talking Jumbotron shit now!  21 is back on “More M’s” and starts the song off in a sound he excels on, which is a Metro Boomin beat, his favorite DJ.  Drake comes in and confirms that no one can compete with him in a Verzuz.  He claims he can go for 5 hours in a Verzuz!  Who could compete with that?

Now, I know what everyone was thinking once they saw the tracklist for Her Loss.  Everyone assumed Drake would go in on “3AM on Glenwood”.  He is famous for his timestamp and location songs, such as “9 Am in Dallas, 5 Am in Toronto, and 6 Pm in New York”.

To everyone’s surprise, 21 Savage took over this track and he did it just right.  Taking advice from Drizzy (I’m sure), 21 executed it just like the 6 God would: giving us his thoughts, feelings, and straight bars!  Just like every other rapper, I think he has something for Kim Kardashian as he mentions her multiple times on this tape.  Drake ends the tape by himself in Drake fashion.  On “I Guess it’s Fuck Me”, Drake serenades the women in his life.  This song is a great ending for a great album!  Hey, if it’s fuck me, then it’s her loss.  Right, Drake and 21 Savage?

Her Loss Grade

Overall, I rate this album as “Platinum”.  The new duo might have set the standard for joint albums. There’s nothing 21 Savage and Drake did wrong here.  The songs suits both of their styles and is something both of their fanbases will appreciate.  I never thought about a 21 Savage and Drake album, but I guess it’s the sound we didn’t know we needed.

Written By: Brandon Simmons

 

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The Debut of Meechy Darko: “Gothic Luxury” Review

Leader of Flatbush Zombies, Brooklyn idol, and master genre-bender. Meechy Darko is many things. Now he can add a soloist to the list.

Brooklyn rapper Meechy Darko has dropped his debut solo project “Gothic Luxury” after years of fan anticipation. You may know him primarily from the revered rap group Flatbush Zombies, alongside Zombie Juice and Erick Arc Elliott. Together, this talented trio has gone from humble beginnings in Flatbush to headlining Coachella and Afropunk.

By uniquely blending 90’s rap sensibilities, hardcore metal production, and psychedelic undertones, Flatbush Zombies have proven themselves as one of the most original acts to come out of New York.

After over a decade of rapping within a group, Meechy Darko, real name Demetri Simms, is finally ready to establish a solo presence. The 32-year-old announced his “A Tour Named Gothika” fall 2022 tour on Instagram this week (Aug 24). It’s already confirmed that all tracks on this new album are also on the setlist.

So how does “Gothic Luxury” introduce the world to Darko? And what can we expect from this underground industry vet going forward?

“Gothic Luxury’s” Humble Beginnings

The album intro “The Genesis” sets the tone for the record with its haunting instrumental and booming vocals. Meechy Darko has a distinctly eerie aesthetic in both his lyrics and production. This 53-second-long track effectively serves as an initiation into his realm.

“Cursed” is a rich look into the deepest thoughts of Meechy Darko. It indeed sounds like the written thoughts of a man at his most honest and bare. The hook performed by Kirk Knight brings this theme of truthfulness to the forefront.

“Higher than Beyoncé budget, I’m just fuckin’ honest

I rather die on the streets than die from police

Rather die with my pride than die on my knees”

This bar is one of several references to Darko’s late father. In early 2020, Ryan O. Simms was fatally shot after allegedly attacking a Miami Beach police officer with a knife. In the caption of his heartfelt memorial post, the Flatbush rapper alludes to mental health issues playing a factor in the tragic event.

“I love my father. So Much.” He typed. “Never once was ever ashamed of him despite what may have been going through mentally or what he may have thought in his head.”

Sharp pain can be felt all throughout “Gothic Luxury.” Meechy Darko doesn’t explicitly speak on the actual shooting, but it’s clear when listening to the album that the events of 2020 have taken a large toll on the artist and his approach to his art.

In addition to the Kirk Knight feature, the background vocals provided by Murder Inc vocalist Vita serenade the listener and contrast the rough tone of Meechy Darko’s rapping voice. Layered gruff-sounding vocals are a signature of Darko’s and perfectly lends themselves to his punk-rap style.

Meechy Darko’s Wide Range

“Never Forgettin” features some of the best production on the album, with the bass hitting the ear harder and harder as each second passes. It’s a simple yet effective beat courtesy of Dot Da Genius. It harkens back to that dark retrospective atmosphere of rap repopularized by Kendrick Lamar back in 2013 with songs like “Swimming Pools” and “Money Trees.”

Meechy Darko grabs that cadence and perfects it while reminding the listener that he’s been excelling at the genre since 2010 with no signs of slowing down. “Never Forgettin” easily totes that line between earworm and intensely personal that’s often difficult to pull off.

“Kill Us All (K.U.A)” takes “Gothic Luxury” in a starkly political direction. In this track, Meechy Darko speaks on his personal experience as a black man in America and gets into the gritty details. It’s a song that emphasizes the theme of “Gothic Luxury:” honesty.

There are no punches pulled or sentiments censored for mass consumption. It’s the sign of an artist who trusts his listeners to understand his viewpoint enough to speak on it candidly. With the protests for Breonna Taylor and George Floyd being directly in America’s rearview mirror, race politics are more relevant than ever. “Kill Us All” doesn’t feel like a detour but instead a necessary conversation.

“I watch murder documentaries every single night.

Fifty episodes in, they never called it white on white

But if I kill my neighbor, they gon’ say it’s black on black

Or gon’ say it’s gang-related just so they can boost the stats.”

The Cream of the Crop

“Lavi$h Habits” is an undeniable album standout. It’s the best traits of every track, all mashed into one to form Meechy Darko’s magnum opus. The hard vocal cadence, with even harder lyrical content, blended with soothing female vocals and masterful sampling. In this track, Darko delves into his “lavish habits,” namely psilocybin and acid. It comes off less as simple glorification and more as a personal confession of casual drug use. It’s a topic the East Coast MC hasn’t shied away from before.

In a 2018 Breakfast Club interview, Meechy Darko spoke about some of his less positive experiences using mushrooms. “I’d have times where I’d be chill with everybody, and I’d just leave for a second and start crying.” He vocalized. There’s an underlying foreboding tone behind the relaxed nature of these lyrics. It’s a clever way of describing drugs and their effects without downplaying their drawbacks.

“Get Lit or Die Tryin” is Darko at his most braggadocious and cocky. It’s a level of confidence that can only be achieved with the years in the game he’s racked up. It’s a song that’s just plain fun to listen to. You can imagine a fan blasting this one out of their car on the way back from a late-night function. “Get Lit or Die Tryin” is also the perfect lead-up to a standout feature on “Gothic Luxury.”

Infallible Features

“On God” employs the talents of Freddie Gibbs and A-trak and some ethereal production to make a clear contender for the best song on the album. Here we get Meechy Darko pouring out his heart and confirming that his father’s passing has shifted his mindset when it comes to his career.

“My father sat me down and said, You know what, son

The best way to rob the bank to own you one

I hear his voice saying, Chin up, I’m still here son

They kill me in the flesh, but my soul lives on.”

It’s a fascinating listen with an addictive hook. Easily, Gibbs and A-trak give their all and match Darko’s energy excellently. It’s a trio that plays off each other’s style without hiccups or awkwardness. If Meech had any concern about having trouble playing off rappers outside of Flatbush Zombies, that’s dashed for good.

“The MoMA” is nearly six minutes of heat, both in the quality and intensity of the song. It’s undoubtedly the least melodic of all the tracks on “Gothic Luxury.” Instead of a traditional song structure, “The MoMA” opts for a more open concept. There’s a hook, but the focus is absolutely the prolonged verses from Meechy Darko and guest artist Black Thought.

This is quickly contrasted by the brief but hard-hitting “Prada u.” It’s the shortest song, not counting the intro track, but in its short run time, it still builds up nicely and has one of the captivating choruses on “Gothic Luxury.” “What if” is unlike any other track in that it echoes the titular phrase. It’s an interesting concept, if not slightly repetitive. 

Grand Opening, Grand Closing

“Hennessy&Halos” is the closest we come to a rock song. It still employs traits of classic rap, of course, but the tempo of “Hennessy&Halos” makes you feel like you’re in a mosh pit. In addition, the steady drum that persists effectively hypes up the listener and could fit into anyone’s workout playlist.

As the album draws to a close, we’re treated to the last crop of feature artists and perhaps the most exciting yet. “Dark Souls” with Denzel Curry and Busta Rhymes is the lead single and most memorable song on “Gothic Luxury.” It’s a song that embodies Darko’s mission statement with this project.

“Welcome to the dark side where it get real different

Let it all out by chopper in the sky and hope that the God feel it

For my lost niggas, beware of backstabbers.

Energy bandits and thought stealers

Cold-blooded, of course, my heart been frostbitten.”

Denzel Curry has been a big supporter of Darko for some time now, first co-signing one another back in 2020. The Florida rapper brings his own flair, mainly acting as a vocalist for a chorus that’s nothing short of stunning. Busta Rhymes is a living rap legend and naturally provides a verse just as bombastic as his days in Leaders of the New School. Still, the star remains Meechy Darko, who effortlessly asserts himself in a song full of loud personality.

“Blk Magic” is closer to “Gothic Luxury” and has a calming ambiance to properly send the listener off. It’s challenging to construct a lo-fi rap song with a voice like Darko’s, but he proved through the 12 other songs on “Gothic Luxury” that his talent comes in spades. While not a particular standout, It’s a fitting finale and pleasant deviation from a thunderous last quarter of the album.

“Gothic Luxury” Sum Up

“Gothic Luxury” is a testament to the artistry Meechy Darko has spent the better part of his life crafting. It’s a culmination of the inner thoughts of a flawed man still figuring out the world around him. Fans of Flatbush Zombies already familiar with Meechy Darko will better understand the frontman. However, brand new listeners not well versed in the Brooklyn icons catalog can still gain plenty of perspective from the album.

“Gothic Luxury” contains enough typical rap conventions to not intimidate new fans, but it also remembers to deliver on what Meechy Darko is all about. Assertive thought-provoking bars with an idiosyncratic polish all his own. Even after so many years in the rap world, this Brooklynite has much to say and much more to come.

You can now listen to “Gothic Luxury” on Apple Music, Spotify, and YouTube.

Written By Dreema Carrington

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Dreema Carrington|IG@dr3amgirl79|Twitter: @notdreema

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“Las Ruinas” By Rico Nasty: Album Review

The new Rico Nasty’s “Las Ruinas” album is so eclectic that one could consider it a mixtape. The record’s unifying force is, however, still there. It appears that, for the most part, the album doesn’t at all keep up with the current trends. 

Yet, “Las Ruinas” still doesn’t sound outdated or even crazy-music-experimental. Instead, the new Rico Nasty’s released a breath of fresh air. 

Rico’s Kaleidoscop

From EDM and jungle beats to cloud-rap, Rico presents a kaleidoscope (or an ammo pack) of 17 different ways to launch your Hip-Hop career within a particular niche. Almost none of the songs have a similar style, while only a couple share the same mood. Meanwhile, somehow the songs still link well with each other.

In comparison with the last Rico’s last album, “Nightmare Vacation,” her new record is way less “Back & Forth” and a bit like “Let It Out,” but way darker. “Intrusive” launches “Las Ruinas,” immediately hitting the listener with Horrorcore instrumental and Rico’s horrifying stories. 

(Mom, if you hear this, I’m sorry)

I like puttin; on my makeup

Ready to slash throats

Chokin’ bitches out

With spiked chains and rope

Hyperpop “Phuckin Lady” might come as a good fit if you’re looking for less scary self-descriptions. It’s somewhat similar to Rory Gilmore’s “I’m spoiled, so what?” manifesto, while obviously way less family-friendly. 

I ain’t sorry that I’m not basic

I ain’t sorry that I’m high maintenance

I ain’t sorry that I lack patience

I’m always screamin’, “Fuck you, pay me”

The further it gets, the less horrific and more sensitive the record sounds. Like “Intrusive,” the last track on Rico’s album, “Chicken Nugget,” mentions mom. This time, however, it’s “I thank my mama for making me strong,” instead of “Sorry mom that I choke bitches out.” Moving on, a childish voice gives a heartwarming speech, finishing the song and closing the album.

Mommy, I love you, and you’re— I miss you a lot

And I can’t wait to see you, and I love you, love you

And you’re coming too, too late

I really want you to come, please, hurry up

Or I’ll cough venom on you, please, come up

I love you, mommy

Between the mood swings, club hits like the “Jungle” remix or “One On 5” appear. The absolute bangers also fill the record. Such include “Gotsta Get Paid,” which also presents the coolest metaphors in its chorus.

Fashionista shades like gyms, we move weights

Party like parades and wake up in a daze

“Las Ruinas” is definitely a well-done project. It also presents an imaginary world. At the very least, it’s exciting and different from the current industry tendencies of the harsh and violent reality tracks.

Listen to “Las Ruinas” by Rico Nasty.

Written by Nikita Serdiuk | IG: @nikitasrdk | Twitter: @nktserdiuk

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“2 Alivë (Geëk Pack)” By Yeat: The Review

LA newcomer Yeat released a repackage of his new album “2 Alivë” on April 1. Is the album hot or an unnecessary add-on?

Yeat Representing For Cali

Yeat is more than just a trendy rapper; he’s amassing a movement. The 22-year-old West Coast rapper has had an exciting 2022 so far. Since 2019 he gained a cult following due to his quirky sound and addictive aura. The newbies’ second studio album, “2 Alivë,” has moved an impressive 36,000 units in its first week. This is quite the feat in a streaming era when music is sold less and less. Even in the world of fashion, he’s making waves. His signature turban is making an appearance on fans across the globe.

With the success of “2 Alivë,” it was. A no-brainer to release a repackage. So how does “2 Alivë (Geëk Pack)” measure up?

“2 Alivë” Starting On A Strong Foot

Yeat begins this repackage on a characteristically confident note. ‘Poppin’ is an upbeat album starter that immediately shows you what to expect from the rest of “2 Alivë (Geëk Pack).” The earworm Uzi-like production lends itself to Yeat’s unique flow and thoroughly sets the tone.

“We got racks out, bitch, we goin’ shoppin’ (shoppin’)

When you get like this, you rich, lil’ bitch, you poppin’

It ain’t been a day that I ain’t been high, bitch, Percs’, I pop ’em, yeah”

The first starring feature on this record is “Outside” with Young Thug. The Atlanta icon is known for lending a helping hand to newcomers, and his verse only enhances the light-hearted feeling of the song. Out of all the possible reactions to sudden fame, Yeat seems relaxed and relieved instead of overwhelmed. This blithe mood can be felt strongly in the first chunk of this album. Specifically, “Real Six” and “Luh Geek” singles.

The Star Feature

One notable music trend hasn’t been proven untrue yet: the Gunna feature is usually the standout track. Similar to “What Happened to Virgil” on Lil Durk’s “7220,” Gunna’s sleek, quiet flow elevates “Rackz Got Me” from bop to an anthem. If you’re an active TikTok user, you’ll definitely recognize this crucial part of the song.

“Percs don’t stab my back

All my slimes say slatt (say slatt)

Let’s get it, slatt, slatt, slatt, slatt, slatt (slime)”

It’s no wonder why this song has gone the most viral compared to the rest. “Rackz Got Me” has this catchy quality that can’t be described. This quality is duplicated in “On The Line,” a song that best showcases why Yeat is so popular with Gen Z. References to peak and Lil Uzi Vert. Yeat’s distinct vocal inflections and a mix of eccentric bars. It all makes for an artist the industry needs. 

Underlying these braggadocios and jovial bars are beats almost reminiscent of a Nintendo 64 game. The rough “glitchy” sound makes the most significant impact in tracks like “Nvr Again” and “Double.” Yeat effortlessly floats over loud electronic sound effects that could be potentially distracting, but eventually, they only lend themselves to the aesthetic.

Keeping It Balanced

“Rollin” and “Taliban” bring back the laid-back vibes after a slightly more hard-hitting “Jus Better,” “Jump,” and “Dnt Lie.” One of the best parts of “2 Alivë (Geëk Pack)” is Yeat’s ability to switch between being somewhat goofy and serious lyrics meant to assert his dominance as a newcomer. Several instances of him doing so within the same song show, the most notable being “Kant Die.”

“I just been pullin’ up shittin’ on them all day, I stink (oh)

Yeah, I rock Chane’-ne’, Double C, wear that bitch got tint (oh)”

This mix of ditzy and bombast keeps “2 Alivë (Geëk Pack)” from being too goofy or taking itself too seriously. The entire record feels like a long party. Being in such a largely stagnant time in music, It’s refreshing to see a freshman with a clear vision and capability to carry it out.

Romantic “2 Alivë”

Of course, Yeat isn’t immune to musical tropes. “Call Me” is your typical rap love song and a nice deviation from the admittedly repetitive subject matter of the album. In addition to being about an unnamed girl, The track reveals some of Yeat’s feelings about his increasing responsibilities.

“I gotta go and hit the road, baby, ’cause this money callin’ me (callin’ me)

To be honest, I don’t really wanna do it, but these agents callin’ me”

“Geek High,” “Narcoticz,” and “Luh m” featuring Yung Kayo, Ken Car$on, and Septembersrich, respectively, are all excellent party songs. Even if you’re just listening with an old pair of AirPods (like me), many of Yeat’s songs still feel like you’ve been dropped into a big concert. This quality seems to shine the most on the tracks with features. While Yeat is definitely strong on his own, he shows out even more distinctly when there’s another artist to the play-off. It’s almost like the listener can feel the two rappers hyping each other up.

“Smooktober” and “Still Countin” are the final two tracks of the original version of “2 Alivë.” It’s obvious why these two were chosen as the album closers. They both exemplify Yeat’s best qualities and utilize some of the best productions on the album. The final 10 songs are bonus tracks, but one could still take the original cut and find it satisfactory.

The New Songs On The Block

Of course, the most anticipated songs in this repackage were the two featuring Lil Uzi Vert: “Big Tonka” and “3G.” To say that Uzi delivers is an understatement. The Philly icon comes in full swing with the same confidence we saw on the “Eternal Atake” album in 2020. His signature fast flow compliments Yeat perfectly. Notably, “Big Tonka” flaunts the crazy chemistry between the two.

One concern going into any repackage album is the obvious question of necessity. The repackage trend started with “Eternal Atake,” which hasn’t always worked in the artists’ favor. It ended up sounding unexpected yet interesting with Uzi, but sometimes the repackages can be redundant and unneeded. So where does “2 Alivë (Geëk Pack)” land?

“Kant Relax,” “No Comment,” “New Turban,” “Hater,” “Way Back,” “Luv Money,” and “Dub” aren’t very different from the rest of the album. Still, they’re fulfilling additions. Namely, “Hater” and “Dub” sound like they could fit right in with the main songs. “Dub” is yet another smash TikTok hit for Yeat, with thousands of users using the stellar hook for a dance or joke. Whether you like him or not, it’s simply undeniable that Yeat is connecting with the youth in a clear-cut way.

The Conclusion

Overall, “2 Alivë (Geëk Pack)” is an excellent showing from Yeat. The album effectively displays why we should be giving this underground rapper the flowers he deserves. There are plenty of rappers born from TikTok, many not sticking around for long. Aside from his exceptionally dedicated fanbase, Yeat stands out in his ability to stand out in an ocean of hopefuls. There are some minor faults in the record, though. Mainly its daunting length. With 30 tracks in total and a 90-minute runtime, it’s a heavy listen. To be fair, this is a typical problem with most repackage albums. But still, you’ll most likely wanna take a break around track 15. Another relatively minor tick is the same subject matter and sound of the album. “2 Alivë (Geëk Pack)” certainly has its standout moments. Still, it can blend together just a tad in the middle.

Despite this, “2 Alivë (Geëk Pack)” is an exciting taste of Yeat’s offering. With an official cosign from Uzi, he can only go up from here.

“2 Alivë (Geëk Pack)” is available on Apple Music, Spotify, Tidal, and Youtube.

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‘Vince Staples’ by Vince Staples: new release review

Vince Staples is the latest project by the Long Beach, Californian rapper of the same name. With the success of his most recent album, 2018’s FM!, fans have been long awaiting his next record for three years, a particularly long interval for Vince. Two contributing factors to FM!‘s enjoyability are its brief 22-minute run time and almost full production from Kenny Beats.

'Vince Staples' album cover
‘Vince Staples’ album cover

For that, fans are in luck with Vince Staples, as Kenny Beats magnificently produces all 22 minutes of this project. While fans complain about the short run time, at least we know this formula works. Also, this is the first of two projects that Vince promises to come in 2021, thus length complaints are unappreciative.

Simply put, Vince Staples is Vince Staples’ most different album to date. A forward thinking MC who never cared to fit into the mainstream, each of his albums have their own unique style to them, but this is by far his biggest change-up yet. Gone is the sardonic young gun that invites trouble from anybody ready to test him, and found is a man left with mature trauma. Vince still has his sharp edge from his crippin’ days, but it’s whittled down. By now, he’s stuck with the consequences of his past and a fight for himself.

Crazy freestyle on the LA Leakers show before an interview
Crazy freestyle on the LA Leakers show before an interview

“Being 27, I done lost a lot of people in these past couple of years”

In his interview with the LA Leakers to discuss this project, Vince mentions how part of his bold delivery in his past projects comes from the pride of him and his friends making it out alive.  Unfortunately, in the past couple of years, Vince has lost more friends than ever before. This gives his performance on Vince Staples its withdrawn and sullen delivery in replacement of his fierce and sarcastic bite.

The first two tracks, “ARE YOU WITH THAT?” and “LAW OF AVERAGES,” both came out before the album, and rightfully so. Vince and Kenny recognize that their album is going to take some getting used to, smartly using these tracks as a sneak peak.

“Visit my crips that lay under the ground, runnin’ around, we was them kids that played”

“ARE YOU WITH THAT?” is unlike any vocal performance from Vince yet. Admittedly, it isn’t the most fitting style for him, but he’s capable and experimental through it. In terms of content, its a perfect intro into the album’s themes. Vince spends many of the bars reflecting on gangbanging ambitions, resulting in nothing but losing his childhood friends. Upon getting used to his new flow, Vince actually proves to have made the smart choice of vulnerability, allowing for us to tap into his pain.

'LAW OF AVERAGES' single cover
‘LAW OF AVERAGES’ single cover

“LAW OF AVERAGES”, the lead single, brings us back to his more expected flow though the beat is withdrawn and patient. Arguably the least personal cut on the album, Vince comes in with his usual badass bars and distrust in materialistic women. This song serves more as a the method of choice for roping in his current fans, Vince doing his normal thing over a different kind of instrumental.

SUNDOWN TOWN” is an easy sell to Vince’s fans. With a more fast paced beat and active delivery, he brings his trademark style with adult modifications. This is an examination into the paranoid shell of a gangster that he’s been attempting to communicate thus far. In arguably the most effective lyric of the whole project, Vince admits that meeting fans scares him because he considers that they might be trying to make an attempt on his life.

Tracklist for 'Vince Staples'
Tracklist for ‘Vince Staples’

“I ain’t gon’ lie, she only want me ’cause I money touch”

THE SHINING” is where the album truly begins to unify, marrying Vince’s new flow from the first track to his personal fears, hardened self protection and incompatibility with image-driven women. After this, we get “TAKING TRIPS,” the kind of track that fans initially came here for. Vince rides the beat with a familiar flow and unique bars. One that has already began circulation is his inability to enjoy the beach without packing heat in his bathing suit.

After the first of two heartfelt skits, “TAKE ME HOME” resumes what the album began. Vince uses one of the more beautiful beats on the album to for one of the more depressing outings here. Focusing on his paranoia, he explores his preference to be alone, forced by his distrust strangers and peers alike. The album’s only feature, Foushee, sums up the song the best by saying “I can’t tell you who’s an ally.”  While Vince owns the project by himself, this is a great reminder of how well he’s always selected and worked with feature artists.

“‘Fore Corona, I was at Ramona with the mask”

The last two tracks, “LIL FADE“and “MHM,” bring us two of the more sonically bumpy cuts on the project. The former is classic Vince bars, painting the picture of he and his friends out here gangbangin’ on the regular. Both his flow and lyrics are extremely reminiscent of his old style while Kenny Beats’ production keeps it refreshing. Wrapping it all up, “MHM,” sends it off with the highest energy on the project. Working with the build of the album, we’re left with a very street, almost mixtape type quick cut. Though somewhat inconclusive to album’s narrative, its a perfect ending, as Vince’s personal struggles are far from over.

From the lyric video for 'MHM' by Vince Staples
From the lyric video for ‘MHM’

Vince Staples is not an easy album to get into. Even after a couple of listens, you may feel the same way. However, the pacing, experimentation and forward thinking maturity makes for Vince’s most honest project since his masterpiece, Summertime ’06. This album gets a gold grade from FMHipHop due to its major aging potential, something that’s already begun. The album is just days old and we owe it as much time and care as Vince and Kenny invested into it. Here, Vince Staples officially transitions from a slick talking kid, almost too wise for his years, to a veteran aged into his mindset. Paired with PERFECT production from Kenny Beats, Vince Staples is a respectable self-study and one of the most mature rap albums made in a long time.

Vince Staples Rating: Gold

Vince spittin' on Kenny Beats' show
Vince spittin’ on Kenny Beats’ show, ‘The Cave

Click here to understand our rating system!

And here to peep our review of Vince Staples and Mac Miller’s Stolen Youth LP

 

Written by Jason Heilbronner | Twitter@JasonHeilbronn1 

 

Categories
FM News New Music

Justine Skye Releases 2nd Independent Album

After “Bare With Me”, what she called her “appetizer album”, the 25-year-old Brooklyn native releases her second independent album, “Space & Time”.

After “Bare With Me”, what she called her “appetizer album”, the 25-year-old Broolyn native releases her second independent album, “Space & Time”.
After “Bare With Me”, what she called her “appetizer album”, the 25-year-old Brooklyn native releases her second independent album, “Space & Time”.

Produced by Timbaland and created during the midst of a pandemic, Justine Skye was originally approached by Timbaland via Instagram DM after posting “Space & Time” cover sessions. Subsequently, the talented and ever-working Virgo sent him an official verse which then became the starting point of the lead single, ‘Intruded’, that came in February. Thus, this exchange set off the start of the entire album and their partnership. 

Skye's second independent album features 11 tracks
Created during the midst of the pandemic, “This album was made when all we had was SPACE and distance between us + TIME to think and create.”

Back when Tumblr was popping in 2013, a fan anonymously asked Justine Skye to make a song with multifaceted artist and producer, Timbaland. She sarcastically replied, “Oh yea, lemme call him up right now… lol I wish it was that easy, dude.”

Now, with an entire album produced by Timbaland, Skye calls this album “the bad bitch manual”.

Justine Skye was originally approached by Timbaland via Instagram DM after posting “Space & Time” cover sessions.
Justine Skye was originally approached by Timbaland via Instagram DM after posting “Space & Time” cover sessions.

“If you don’t like my music, that’s totally fine… cause I made it for bad bitches anyways.”

With techno R&B tempos and deep “poppy” melodies, the album took a little over two weeks to complete. During a two-week stay in Miami, Justine Skye, Timbaland, and many other artists, such as Justin Bieber, Diddy, and Justin Timberlake, contributed to the creation of the album. Finishing touches came in the months that followed.

‘In My Bag’, song number 3 on the album, and a fan favorite, talks about having confidence and making money.

The hot girl anthem features Justine Skye “rap-singing”, a new technique for Skye that showcases her range. After spamming Skye on Twitter for a music video, fans are sure to be expecting one for this song soon.

“I never felt confident enough to say anything… and now it’s like, yeah nigga! Ima call you out for what you did right there. You shoulda never texted me that, so boom, put that in a song. All y’all fake over there… put that in a song. Bitch, you lame! Put that in a song.” Justine Skye said via tumblr

Additionally, ‘Innocent’, features musical icon Justin Timberlake over an Aaliyah sample. So, how does the singer feel to be alongside giants of the music business?

“I’m honored to be working with these legends. Aaliyah has always been an inspiration since I was a little girl, so the fact that all of these elements came together in one song for me is INSANE.” (@JustineSkye on Twitter) 

The self-proclaimed Brooklyn Princess continues to grow after joining and leaving multiple labels to become her own independent artist. Justine Skye said it best: if you were sleeping on her, good morning! 

Listen to the full album here.

 

Alena “Lay Low” Williams | IG: @lenalayl0w | Twitter: @lenalaylow

Categories
New Music

‘CALL ME IF YOU GET LOST’ by Tyler, The Creator: New Album Review

Tyler, The Creator reminds us who he is

It’s been just over two years since Tyler, The Creator delivered IGOR. The mixed-genre album controversially took home the Grammy award for rap album of the year. But his newest effort finds the artist-producer extraordinaire returning to his hip-hop roots.

CALL ME IF YOU GET LOST follows the format of a Gangsta Grillz tape. DJ Drama hosts the entire album, reminiscent of Kid Capri on Kendrick Lamar’s DAMN.

While it may be an unwelcomed change for the average Flower Boy or IGOR fan, hardcore rap fans will recognize they’re getting to hear a version of Tyler that’s been absent since 2013’s Wolf. Frequently praised for his production, his exceptional lyrical capabilities have taken a backseat in his recent albums. This album changes that pattern.

Tyler, The Creator

CALL ME IF YOU GET LOST displays Tyler unapologetically as himself. He’s happy in life, he has nothing left to prove and he wants listeners to know that.

With “SIR BAUDELAIRE,” Tyler instantly opens the album with braggadocios bars over a sample-heavy beat. He even calls back his old alter-ego, Wolf Haley. Que chills down the spine of any Odd Future-era fan.

Collaboration is key

Speaking of Odd Future, there’s a Domo Genesis verse on this album. It’s a duo fans haven’t been able to enjoy in years. However, it’s not even close to the most surprising collaboration.

“LEMONHEAD” unexpectedly features 2021 XXL Freshman 42 Dugg. The following track, “WUSYANAME,” has YoungBoy Never Broke Again singing over a 90’s R&B sample. While fans wouldn’t think these street rappers would find a home on a Tyler, The Creator project, they work. Tyler proves that he is nearing a Kanye West-level of bringing the best out of artists, never settling for a lackluster feature.

If any single artist can prove that statement, it’s Lil Wayne. “HOT WIND BLOWS” includes what might be Weezy’s best verse in years. It’s his third time appearing on an album by Tyler, and he’s delivered a standout contribution every time (never forget “Smuckers“). This time, he’s back in his comfort zone with DJ Drama, who hosted his classic Dedication mixtape series.

Tyler is still the star of the show

While the features are impressive, they never outshine Tyler. One of the best tracks on the album comes as a solo effort called “MASSA.” He gets retrospective on his career, detailing his experiences with Cherry Bomb and his breakout single “Yonkers.” The beat builds up and gets more exciting as he continues to reflect on his success.

Every single album he’s put out has featured a multi-part tenth track. The trend continues with “SWEET / I THOUGHT YOU WANTED TO DANCE,” which features Brent Faiyaz and Fana Hues. The ten-minute track is an instant summer anthem and truly showcases Tyler’s artistry, combining upbeat pop with R&B and reggae.

Things get energetic again with “JUGGERNAUT.” It’s moshpit-bait with contributions from Lil Uzi Vert and Pharrell Williams, and is certainly a standout on the album.

Tyler, The Creator

While the album is largely a statement of self-positivity and happiness, it wouldn’t be a Tyler, The Creator album without a tear-jerker. “WILSHIRE” is an eight-and-a-half minute epic about forbidden love. The only track without DJ Drama drops may be the most personal on the album, and proves to be one of Tyler’s most relatable songs.

In the end, Tyler delivered

By the end of the album, listeners have had a complete experience. A joyous experience. It’s one of Tyler’s best albums to date, if not his top project. The 30-year-old showcases all of his skills to their full extent, and proves that he’s simply one of the best hip-hop artists of the 2000’s.

CALL ME IF YOU GET LOST is a beautiful display of life. It’s sincere, it’s fun and it’s impressive. Tyler shared a gem with us.

CALL ME IF YOU GET LOST Rating: Gold

Click here to understand our rating system.

Andrew “Jetlag” Preisig | IG @ThankYouJetlag | Twitter @ThankYouJetlag

Categories
Updates

#FMTrends: Juvenile And Birdman Squash Beef And Release Joint Album [Links]

Photo Credit: iTunes

Juvenile And Birdman Squash Beef And Release Joint Album

Salutations FM Trendsetters!  The internet and social media are buzzing harder than a bee hive when you hit it with a bat.  Word on the “skreets” is that Cash Money could be on the way to a possible reunion.  It seems that since the past year or so, members of the New Orleans collective have settled their differences and collaborating with each other under the radar.  Now the secret is out! Turk is out of prison, Lil Wayne and Mannie Fresh confirmed a joint album will be released, and Juvenile and Birdman (b.k.a. Stunna) released a new joint album, “Just Another Gangsta” as of this past weekend. The last time we heard Juve and Stunna on a track together was Juvenile‘s 2004 single “Bounce Back” off his third studio album “Juve The Great“.  Now the two former powerhouses of Cash Money the label collaborated on some heat for the street, for the fans, and for the culture!  Here is a track by track review, by yours truly, of the new album “Just Another Gangsta“:

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Updates

#FMTrends: 2 Chainz Release Rap Or Go To The League With Lebron Assist

Photo: Credit: Apple Music

2 Chainz Release Rap Or Go To The League With Lebron Assist

Salutations FM Trendsetters!  Prolific trap artist 2 Chainz (formerly Tity Boi) released his critically acclaimed 5th studio album, “Rap Or Go To The LeagueFriday, March 1st.  Based on this album, the “BOATS” rapper really began the month off very well.  To make things interesting, he received A & R critique from one of the NBA’s prolific superstars, L.A. Lakers small forward Lebron James

Categories
Updates

#FMTrends: Offset Finally Releases Solo Album Father of 4 [Links]

Photo Credit: Apple Music

Offset Finally Releases Solo Album Father of 4

Salutations FM Trendsetters!  Migos is one of the most trendsetting and “drippest” of the culture that we are in today.  With the success of the multi-platinum effort “Culture” and follow-up “Culture 2“, they have been climbing all over the charts .  Quavo released his solo effort, Take Off released his as well. Both albums similar to their prior “Culture” series and “No Label” mix tapes.  However member Offset took a unique approach.